My ceramic pieces often characterize the ambiguity of discriminating between body and landscape, and by extension, between what is held as human experience and what is considered distant and natural. For a collection of work in the Obvara practice, see 4o. For a collection of work with red clay, see 3tr. For a small selection of experimental projects, see 1a. For a visual guide of what lies past the surface of each vessel, see the archive.

Studio Photography by Jesus Gonzalez.